but goes deep into issues about military conscription. with Jung Hae In & Koo Kyo Hwan It's kind of dark. I got started on Korean Dramas during the pandemic. Netflix is becoming known for having a great selection of foreign films. Within the comment sections, recommendations for non-Netflix content will sometimes be allowed. The primary focus of this sub should be content available on Netflix, and all top level recommendations and questions should be about Netflix. Hover over to read.Īdd regional flair tags to your submissions so we know what Netflix region you're posting from CLICK HERE FOR MORE INFORMATION Please write a short blurb either in the submission title or the text if you do a self post to explain why this movie/show is worth watching.Īdd spoiler tags as a courtesy. ![]() ![]() Please link to the description page of the movie or show you are posting. If the same title appears simultaneously in the top 50, it may be removed at the mod's discretion. Stop complaining about reposts and stop messaging the mods about it. The mods are leaving it up to the community to utilize downvotes if they feel that reposts are too excessive. The front page of this subreddit is meant to be a living representation of quality content on Netflix and you might see the same submissions multiple times. Reposts are not only allowed, but are encouraged to some extent. Why has Kovacs been brought back from the dead after so long? In order to solve a murder, of course – a mystery that the insanely wealthy victim (who’s now reincarnated in a new cloned sleeve, natch) believes only Kovacs’ unique skills can unravel.The primary purpose of /r/NetflixBestOf is to shitpost about Breaking Bad. Into this grave new world comes our hard-boiled hero Takeshi Kovacs, released from prison and dropped into a snazzy, buffed-up Joel Kinnaman-shaped sleeve after a couple of centuries on ice. But it’s far from a deathless utopia: rampant capitalism has ensured that only the wealthy can afford decent sleeves, with downtrodden proles being kept in storage for decades or transferred into the first available body, regardless of its suitability. Flattened by a lorry? No probs: the paramedics can pop out your stack and – provided it hasn’t been smashed – put it in safe storage until a new body (or “sleeve” in the show’s vernacular) is available. That’s because (due to some alien tech discovered off-world) everybody can have their consciousness digitally backed up in a “stack”, a disc-shaped computer stored where the skull meets the spine. This glossy, gory cyber-noir takes us 300-odd years into the future, where Earth has become an overpopulated, dirty, decadent, neon-lit Bladerunner-esque mess – but outright death is a rarity. When Natalie Portman’s biologist finds herself personally drawn into the mystery, she joins a team venturing into the Shimmer and slowly uncovers the shocking truth. Everything and everybody they send inside disappears, never to return – with one exception. When an unexplained “shimmer” engulfs a tract of land in the southeastern United States, then starts growing, authorities are confused and powerless to stop it. ![]() This is one of the most accomplished and interesting science fiction movies of recent years – a visually and sonically outstanding film that’ll leave you with more questions than answers, but enough clues to work everything out too. Why? Because they likely figured it’d flop in cinemas, being chilly, complex and brainy right or wrong, big studios don’t credit the average filmgoer with much intellectual curiosity.ĭon’t let Paramount’s disappointing decision deter you from watching it, though. ![]() Originally slated for release in cinemas worldwide, in the end its studio Paramount granted it only a limited US theatrical release, with the rest of the world getting their first chance to see it on Netflix. Writer-director Alex Garland’s follow-up to the dazzling Ex Machina had a tricky inception.
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